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2 days ago
Lucas Debargue

A concert review about Lucas' recital in Grand Théâtre de Brescia at the Festival Pianistico Internazionale di Brescia e Bergamo.
English summary:
"Debargue’s debut: with ovations and 4 encores
[---]
"Debargue impressed not only with his technical skills (which are extremely high), but also with what was new and original about him: his sensitivity, the beauty of the performance, his profound approach to the work, the author, the keyboard itself. Especially his sensitivity impressed greatly. Particularly in Ravel, where “esprit de clarté” and “esprit de finesse” converged. Ravel Sonatina, supported by inner sense of rhythm, gained in charm and abstraction (expressive pauses no longer gave a neo-classical image, in 2nd part emotion spilled over the form). “Gaspard de la Nuit” was a nocturnal triptych, a moment of doubt and regret, when what was thought to be dormant bursts forth. “Ondine” was like a fairytale character, “Le Gibet” vibrated between echoes, “Scarbo” belonged to another world, interesting music, ruthless, thriller-like. Debargue performed Ravel like a true artist, playing with dynamics, diving into different situations, ecstatic and passionate. The audience responded with thunderous applause, and he gave 4 encores, the third of them Scarlatti Sonata."
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A concert review about Lucas recital in Grand Théâtre de Brescia at the Festival Pianistico Internazionale di Brescia e Bergamo.
English summary:
Debargue’s debut: with ovations and 4 encores
[---]
Debargue impressed not only with his technical skills (which are extremely high), but also with what was new and original about him: his sensitivity, the beauty of the performance, his profound approach to the work, the author, the keyboard itself. Especially his sensitivity impressed greatly. Particularly in Ravel, where “esprit de clarté” and “esprit de finesse” converged. Ravel Sonatina, supported by inner sense of rhythm, gained in charm and abstraction (expressive pauses no longer gave a neo-classical image, in 2nd part emotion spilled over the form). “Gaspard de la Nuit” was a nocturnal triptych, a moment of doubt and regret, when what was thought to be dormant bursts forth. “Ondine” was like a fairytale character, “Le Gibet” vibrated between echoes, “Scarbo” belonged to another world, interesting music, ruthless, thriller-like. Debargue performed Ravel like a true artist, playing with dynamics, diving into different situations, ecstatic and passionate. The audience responded with thunderous applause, and he gave 4 encores, the third of them Scarlatti Sonata.

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Great review. Thank you for sharing.

Bravo!!!!! Encore et encore.......

3 days ago
Lucas Debargue

A concert review about Lucas' recital in Teatro Donizetti Bergamo at the Festival Pianistico Internazionale di Brescia e Bergamo.
English summary:
"One word is enough - Lucas Debargue is Lucas Debargue, a unique brand. The French star performed at the Piano Festival on Wednesday evening in the Donizetti Theatre. In a way, he reminded “divo” Ivo Pogorelic, whose “non-win” - like Debargue's 4th prize at the Tchaikovsky Competition - was worth much more than a win and paved the way for the brilliant international career. And there is a reason for this! Debargue, a 31-year-old young man from Picardy, shows what it means to be a XXI century pianist more than anyone else.
With him you realise, after many have said it, that he is the embodiment of our century's “new pianism”, and not just convincing – he is magnetically convincing. Throughout the whole recital - which the Donizetti Theatre audience listened to in almost religious silence - from Fauré to Scriabin and then to Ravel - Debargue seemed to say, quietly as is his style: "this is a new way, this is a third way. Look what it is, tell me, are you interested?" [---]
His pianism approaches to the classical music in contemporary sense as the fruit of extemporaneity of improvisation.
His third and final encore, fervently demanded by the audience, was his own improvisation, with stylistic lines from jazz to Scriabin utopias. The previous two were pieces by Parisian cult composer Satie and Scarlatti.
The question is not only the improvisation – which Debargue does brilliantly. Debargue has modified the whole idea of the pianist as an interpreter. In his view, every interpreter can (and is invited to) find his own way of approaching to a score and do it in a “new” way. Yes, Debargue looks to the score, that was something untouchable in the XXth century and before, and transforms it on the instrument into a new, original vision and offers it so to the audience. Here he reaches such a breathtaking reality that is intimately bound up with the spirit of the authors.
This was the case with two of Ravel's masterpieces: the Sonatina and lethal triptych "Gaspard de la Nuit". Melting sounds between bars and levity, with incisiveness of color.
The young maestro, an anti-god in jacket and turtleneck, with very long hands (a bit like “divo Ivo", and after all, like Liszt) demonstrated Scriabin's improvisational inspiration with inexpressible mastery - often enigmatic in its capricious waves. And Fauré's vocality was at times even more declamatory than lyrical, with researches in harmonies
For those who missed this concert, we suggest not to miss it next time!
... See MoreSee Less

A concert review about Lucas recital in Teatro Donizetti Bergamo at the Festival Pianistico Internazionale di Brescia e Bergamo.
English summary:
One word is enough - Lucas Debargue is Lucas Debargue, a unique brand. The French star performed at the Piano Festival on Wednesday evening in the Donizetti Theatre.  In a way, he reminded “divo” Ivo Pogorelic, whose “non-win” - like Debargues 4th prize at the Tchaikovsky Competition - was worth much more than a win and paved the way for the brilliant international career. And there is a reason for this! Debargue, a 31-year-old young man from Picardy, shows what it means to be a XXI century pianist more than anyone else. 
With him you realise, after many have said it, that he is the embodiment of our centurys “new pianism”, and not just convincing – he is magnetically convincing. Throughout the whole recital - which the Donizetti Theatre audience listened to in almost religious silence - from Fauré to Scriabin and then to Ravel - Debargue seemed to say, quietly as is his style: this is a new way, this is a third way. Look what it is, tell me, are you interested? [---] 
His pianism approaches to the classical music in contemporary sense as the fruit of extemporaneity of improvisation.
His third and final encore, fervently demanded by the audience, was his own improvisation, with stylistic lines from jazz to Scriabin utopias. The previous two were pieces by Parisian cult composer Satie and Scarlatti.
The question is not only the improvisation – which Debargue does brilliantly. Debargue has modified the whole idea of the pianist as an interpreter. In his view, every interpreter can (and is invited to) find his own way of approaching to a score and do it in a “new” way. Yes, Debargue looks to the score, that was something untouchable in the XXth century and before, and transforms it on the instrument into a new, original vision and offers it so to the audience. Here he reaches such a breathtaking reality that is intimately bound up with the spirit of the authors. 
This was the case with two of Ravels masterpieces: the Sonatina and lethal triptych Gaspard de la Nuit.  Melting sounds between bars and levity, with incisiveness of color.
The young maestro, an anti-god in jacket and turtleneck, with very long hands (a bit like “divo Ivo, and after all, like Liszt) demonstrated Scriabins improvisational inspiration with inexpressible mastery - often enigmatic in its capricious waves. And Faurés vocality was at times even more declamatory than lyrical, with researches in harmonies
For those who missed this concert, we suggest not to miss it next time!

Comment on Facebook

Félicitations !!!!!

Браво! Спасибо!

Dankeschön!

Thank you. A brilliant review for the brilliant Virtuoso Pianist Lucas Debargue.

C’est vraiment touchant de lire de telles critiques de vos concerts, Lucas Debargue, et notamment ce ce dernier, les mots semblent manquer pour exprimer ce que vous suscitez de beau et de profond 🙏🙏🙏

Félicitations ! Tout est dit et vrai 👏🌹🌹🌹🍀

Congratulations Debargue my model

Блестяще! Спасибо умному рецензенту!

A wonderful review. Thoughtful author, thank you!

Дебарг - бесспорно, очень талантлив и интересен. Но я могу засвидетельствовать, что на 3-м туре Конкурса им. Чайковского, он Концерт Чайковского сыграл плохо, просто почти "завалил" его, а Концерт Листа сыграл более или менее, но совсем не блестяще. А Конкурс - это всегда здесь и сейчас! Так что 4-ю премию он получил заслуженно - за прекрасные выступления на предыдущих турах. Но Конкурс им. Чайковского все равно очень помог ему раскрыть свой талант!

un bel article qui traduit tous les ressentis. Vous entendre une fois, et devenir addict ! chaque concert apporte à chaque fois quelque chose de plus. Vous m'avez fait renouer avec les concerts "live" ! merci pour tout ce que vous transmettez.

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6 days ago
Lucas Debargue

Some photos from the Brescia concert. ... See MoreSee Less

Some photos from the Brescia concert.

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What a concert! You're such an amazing pianist and artist. Thanks a lot, ciao!

Vrai artiste

Phenomenal...very special musician....thank you so much 💓

Uno dei migliori pianisti in circolazione. Spero tanto di conoscerla presto.

Absolutely amazing🌹🍀🎹💐💗‼️

Bravo!!!

Bravo lucas 👍👏😘

Maestro!

💛💙

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1 week ago
Lucas Debargue

Here is possible to listen again Lucas' performance of Ravel Piano Concerto No. 1 with ONPL - Orchestre National des Pays de la Loire and conductor Pascal Rophé.
www.radioclassique.fr/reecouter-un-concert/lucas-debargue-interprete-le-concerto-en-sol-de-ravel-...
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Here is possible to listen again Lucas performance of Ravel Piano Concerto No. 1 with ONPL - Orchestre National des Pays de la Loire and conductor Pascal Rophé.
https://www.radioclassique.fr/reecouter-un-concert/lucas-debargue-interprete-le-concerto-en-sol-de-ravel-avec-lorchestre-national-des-pays-de-la-loire/

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Thank you

🎉🎶👏👏👏👏

2 weeks ago
Lucas Debargue

Lucas' next concerts are in Italy at the Festival Pianistico Internazionale di Brescia e Bergamo. 18 May he is performing in Bergamo Teatro Donizetti and 19 May in Teatro Grande di Brescia.
Program: Fauré: Barcarolle no.3 op.42 . Notturno no.7 op.74 . Ravel: Sonatine, "Gaspard de la Nuit", Scriabin: Sonata no. 4, Fantaisie op.28.
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Lucas next concerts are in Italy at the Festival Pianistico Internazionale di Brescia e Bergamo. 18 May he is performing in Bergamo Teatro Donizetti and 19 May in Teatro Grande di Brescia.
Program: Fauré: Barcarolle no.3 op.42 . Notturno no.7 op.74 . Ravel: Sonatine, Gaspard de la Nuit, Scriabin: Sonata no. 4, Fantaisie op.28.

Comment on Facebook

Good luck!

Красавец!

Can't wait!

This program is amazing! Great Success to you....

Du Scriabine c’est super 👍

Scriabine opus 28 ... !!! Fantastique.

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2 weeks ago
Lucas Debargue

Lucas' today's concert in Nantes has a live broadcast in Radio Classique. It starts 20:00 CET.
Radio live stream here: www.radioclassique.fr/radio/direct/
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Lucas todays concert in Nantes has a live broadcast in Radio Classique. It starts 20:00 CET. 
Radio live stream here: https://www.radioclassique.fr/radio/direct/

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Ah merci pour cette info.. je vous embrasse..

Que j'aurais aimé y être.....

Et grand plaisir d’être dans le grand auditorium de l’ONPL ce soir !

Очень прекрасный пианист!

Thank you.

Благодарю!🌹

So interesting....existing...

That's awesome! Congratulations!

Spectacular!Parabéns

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2 weeks ago
Lucas Debargue

Lucas started yesterday, 8 May his tour with ONPL - Orchestre National des Pays de la Loire and conductor Pascal Roph&eacuCentre de congrès d'Angerave;s d'Angers. Next days, 10 and 11 May he is La Cité des Congrès de Nantdes Congrès de Nantes and then returns to AnONPL. He is performing with ONPL Ravel Piano Concerto No. 1 G Major.
www.facebook.com/OrchestreNationalPaysdeLoire/posts/422345906561829
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Lucas started yesterday, 8 May his tour with ONPL - Orchestre National des Pays de la Loire and conductor Pascal Rophé in Centre de congrès dAngers. Next days, 10 and 11 May he is performing in La Cité des Congrès de Nantes and then returns to Angers. He is performing with ONPL Ravel Piano Concerto No. 1 G Major.
https://www.facebook.com/OrchestreNationalPaysdeLoire/posts/422345906561829

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💯👏👏👏

Good luck to all concerts!

Photos from the concert Serate Musicali Milan. 
http://www.seratemusicali.it/recensione-02-05-2022/?fbclid=IwAR17b-bCNZwh2BBIHZ9dnDOp5INWIfG782TJBB193RZT4ApeIU7lU02I_ss
Photo courtesy : Alberto Panzani.

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So wonderful moments 💖

Happy people who could attend

Did you get new glasses?

3 weeks ago
Lucas Debargue

A concert review of Milan recital by Cesare Guzzardella.
www.corrierebit.com/musica.htm?fbclid=IwAR3maF78qbT5zqsaKnciupbix1XNP_y34rp3YkIsmITMlrHBv3v5JaZ4c...
English resume:
--French pianist Lucas Debargue is a real master. He is a pianist who in addition to enviable technique, what the new generation of virtuosos possesses per se, has an ability to make very personal interpretations. He pays great attention to the details of the score, plays with explosive power and individual sound.
The first piece of the evening was Fantasia in A major by César Franck, from "3 Pièces pour grand orgue". It was Debargue’s own transcription and it showed in an expressive way the reworking skills of French pianist who, as we know, likes to improvise and play jazz - as the continuation of the evening proved.
Debargue is a very creative pianist, able to play classical works very well, but is always adding his personal imprint to the musical works. Next was Ravel’s “Gaspard de la Nuit” and he played this very complicated work with enviable color transparency. His accuracy in the details and bright feel for dynamic contrasts became apparent in two parts of this work – “Ondine” and “Scarbo”. Second part, “Le Gibet” was played with solid reflexivity and a perfect meditative balance. It’s the piece where one “key note” is repeated 153 times. Everything was played on the highest level. The next pieces – Scriabin’s Fantasia in H minor op. 28 and Liszt Dante-Sonata once again demonstrated Debargue's virtuosic qualities.
They were two disruptive performances with perfectly controlled contrasts, which showed the soloist’s ability to delve deeper to the score and his clear vision of the music. Romantically pathetic but very clear moments were especially evident in the work dedicated to the Italian poet.
There was sustained applause at the end and Debargue gave three encores: the simple and profound Domenico Scarlatti Sonata no. 32 in D minor, splendid Satie Gnossienne no. 1 and, to conclude the evening, famous “Round Midnight” by Thelonius Monk, jazz piece, a virtuosic finale, admirably performed by French pianist.--
... See MoreSee Less

A concert review of Milan recital by Cesare Guzzardella.
http://www.corrierebit.com/musica.htm?fbclid=IwAR3maF78qbT5zqsaKnciupbix1XNP_y34rp3YkIsmITMlrHBv3v5JaZ4coU#debargue2022
English resume:
--French pianist Lucas Debargue is a real master. He is a pianist who in addition to enviable technique, what the new generation of virtuosos possesses per se, has an ability to make very personal interpretations. He pays great attention to the details of the score, plays with explosive power and individual sound. 
The first piece of the evening was Fantasia in A major by César Franck, from 3 Pièces pour grand orgue. It was Debargue’s own transcription and it showed in an expressive way the reworking skills of French pianist who, as we know, likes to improvise and play jazz - as the continuation of the evening proved. 
Debargue is a very creative pianist, able to play classical works very well, but is always adding his personal imprint to the musical works. Next was Ravel’s “Gaspard de la Nuit” and he played this very complicated work with enviable color transparency. His accuracy in the details and bright feel for dynamic contrasts became apparent in two parts of this work – “Ondine” and “Scarbo”.  Second part, “Le Gibet” was played with solid reflexivity and a perfect meditative balance. It’s the piece where one “key note” is repeated 153 times.  Everything was played on the highest level. The next pieces – Scriabin’s Fantasia in H minor op. 28 and Liszt Dante-Sonata once again demonstrated Debargues virtuosic qualities. 
They were two disruptive performances with perfectly controlled contrasts, which showed the soloist’s ability to delve deeper to the score and his clear vision of the music. Romantically pathetic but very clear moments were especially evident in the work dedicated to the Italian poet.
There was sustained applause at the end and Debargue gave three encores: the simple and profound Domenico Scarlatti Sonata no. 32 in D minor, splendid Satie Gnossienne no. 1 and, to conclude the evening, famous “Round Midnight” by Thelonius Monk, jazz piece, a virtuosic finale, admirably performed by French pianist.--

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I love you Lucas

Phenomenal review well deserved! Thank you.

Fazioli 🥰😍

Coming soon ❗️ Recital in Switzerland Stadttheater Olten
Tickets available here 👉 https://stadttheaterolten.kulturticket.ch/tickets-lucas-debargue-klavierrezital-in-olten-stadttheater-konzertsaal-am-28-5-2022/e1669402

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A Рим когда?

Good luck!

Tu es un grand artiste! Viens à Budapest!

When in Rome?

Please come to Korea!

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2 months ago
Lucas Debargue

Photos from Lucas´ concert in Auditori - Palau de Congressos de GironaGirona. ... See MoreSee Less

Photos from Lucas´ concert in Spain Auditori - Palau de Congressos de Girona.

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The best there is! ❤️👏🎤

Looking forward to your show in Vancouver

So beautiful Concert....

Spectacular!

❤️❤️❤️❤️

💟💟💟💟💟

🔥🔥🔥🥰🥰

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3 months ago
Lucas Debargue

Words aren’t strong enough to express what I feel about what is now happening in Ukraine. I can only say that my heart and thoughts are with Ukrainian people.
War can’t solve anything. It only brings more death, destruction and pain to the world. May peace and freedom come back in beautiful Ukraine soon. Stop the war !
With Maestro Volodymyr Sirenko last year in the festival “Odessa Classics” opening concert.
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Words aren’t strong enough to express what I feel about what is now happening in Ukraine. I can only say that my heart and thoughts are with Ukrainian people. 
War can’t solve anything. It only brings more death, destruction and pain to the world. May peace and freedom come back in beautiful Ukraine soon. Stop the war !
With Maestro Volodymyr Sirenko last year in the festival “Odessa Classics” opening concert.

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Интересно, ему показали в Одессе Дом Профсоюзов, где заживо сожгли людей, которые просто высказывали своё мнение? Это преступление до сих пор не расследовано и виновные не наказаны. И это правда, которую в Европе никто не хочет знать. Спортсмены, музыканты и артисты должны быть вне политики. Иначе мы потеряем этот мир.

Оdessa je t'aime mon Cher

Dear Monsieur Debargue! We, Ukrainians, are sincerely grateful for your support. A concert was to take place in Kharkiv, for which students from all music academies bought tickets in advance. But, unfortunately, the event will not happen, as Kharkiv was completely defeated by the Russian occupiers. We will be very grateful if you show at least some "sanctions" against the agencies with which you cooperate, because russian people do not know what is really happening in our country. Thanks again 🇺🇦

Merci , Luca, Pour ton attitude honnête! La guerre ne résout jamais le problème. On ne peut que se déshonorer dans l'histoire.

Dear Monsieur Debargue! Your concert in Kharkiv was supposed to be the greatest event ever for Ukrainians and our city. Thank you for your support, we will definitely win! 🇺🇦

Татьяна Гермогенова Бесполезно вопрошать у слепо-глухонемых.Весь "цивилизованный" мир отказывался слышать КРИК жителей Донбасса,когда 8 лет украинские нацисты зверски убивали детей,стариков и женщин.Россия со всех трибун годами пыталась привлечь внимание к горю миллионов русских людей!НИКТО не слышал! ОБСЕ вместо миротворческой миссии служило наводчиками для убийства мирного населения (скоро выложат документы,поэтому сейчас оно полным составом сбежало).Весь мир накачивал оружием Украину и с упоением ждал крови!Но Россия явилась на войну лишь несколько дней назад с миссией спасти людей и уничтожить нацизм,которого на Украине "нет",хотя фашистская свастика в почете,факельные шествия с кричалками убивать русских проходят постоянно и всех это устраивает.Пришло время очищения от нечисти и покаяния за молчаливое соласие с убийствами невинных людей.Никто не хочет войны.Русские войны не начинают,они ее заканчивают.Дай Бог всем МИРА без фашизма.Люка,к сожалению,попал под каток лживой пропаганды и вынужден был пропеть мантру по одной методичке,позволяющее ему продолжать зарабатывать деньги и стать в длинный ряд "цивилизованного" европейца,предав Россию,которая его полюбила и вырвала из небытия. Надо быть уровня великих Анной Нетребко и Валерием Гергиевым,чтобы не изменять своей совести ради сытой жизни.Жаль...и разочарована,как и многие россияне,считавшие Люку индивидуальностью,умеющего думать. youtu.be/1mNwIc082F4

A flaw, Lukas, you forgot to condemn and kick Gergiev and Matsuev in your wonderful text

Talk about Gergiev and Netrebko, too, please: it's unbelievable that still in 2022 we condemn people for their origins.

Дорогой Люка! Спасибо Вам за вашу позицию. Которую Вы высказалии без радикальных выражений. Я разделяю с Вами ценности мира, гуманизма, милосердия и любви, которые мы слышим в Вашей музыки. Я очень надеюсь, что эти ценности рано или поздно возобладают в моей стране. И мы будем аплодировать Вам в консерватории и в зале Чайковского в Москве. С глубоким уважением.

You are unique musician and honest man! Good luck in all your endeavours!

Dear Monsieur Debargue, thank you for your post. Would you commit to not playing in Russia as long as Putin is in power, and never play with Gergiev, a Putin's lackey? They love you there, and your boycott would go a long way.

Хорошо бы избавить страницу Люка от дебатов.

Praying for you. I personally know someone from Ukraine. Keep playing your beautiful music. It is healinh. They say he who sings prays twice. In our case we who plays music prays also twice.

Тюю..шо все гей гопники европы приехали к нам на фронт? Может, волонтерами мед.помощь окажут..

🙏🙏🤗

🇺🇦🇺🇦🇺🇦❤️❤️

Debargue joue de la musique et ne te mêle pas de politique. Tu n'as pas ce pedigree, tu creuses ta tombe artistique. Tu dois à la Russie de t'avoir mis au monde et ce monde musical rétrécit. Tu dois resté placé au-dessus de toutes- ces méprises. Au-dessus de la mêlée, car tu n as pas l'omniscience pour te mêler de ces querelles complexes et juger à l'emporte-pièce.

Rester placé en Fauré, Ravel, Chopin, Scarlatti, Bach, Beethoven etc. c'est offrir le juste message et le plus grand.

Дякуємо, дорогенький💙💛

Дорогой Люка Дебарг, спасибо за вашу поддержку. Надеюсь вы закончили сотрудничество с Гергиевым. Ждём вас в Нью Йорке а после войны в городах Героях Харькове, Киеве, Львове, Чернигове и тд.. Америка и Украина Ждёт Вас. Ваши поклонники с первого концерта на конкурсе Чайковского.

Thank You, dear Maestro!

What about your concerts in Moscow on 18 and 19 March? They’re still scheduled at their philharmonic: meloman.ru/calendar/

Je pense aux artistes avec beaucoup d'émotions.

I hope you have cancelled your tour in Russia!

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3 months ago
Lucas Debargue

A concert review about Lucas' performance in Bozar Brussels with Belgian National Orchestra.
www.crescendo-magazine.be/chostakovitch-mis-a-lhonneur-a-bozar-par-le-belgian-national-orchestra/
English resume:
"The Belgian National Orchestra, under the direction of Hugh Wolff, started the concert with the Shostakovich Concerto for piano, trumpet and strings. The soloist of the evening was the excellent Lucas Debargue, who has quickly become a star pianist since his 4th Prize at the Tchaikovsky Competition in 2015. He was accompanied by the strings of the BNO and the head of the trumpet section Léo Wouters. Un the second half orchestra performed Schostakovich Symphony No. 13 “Babi Yar” with the vocal ensemble “Octopus” and Mikhail Petrenko.
Before the concert, there was said some words about the situation in Ukraine. It was noted that Ukrainian and Russian musicians also play in the orchestra. A minute of silence was taken to pay tribute to the victims of this conflict.
[---]
In the first movement, the pianist played in a powerful and almost hypnotizing way and made the piano sound in the Salle Henry Le Boeuf. The second movement is a slow waltz. The beginning is quite neutral until there is the time for the pianist to step in. A calm and soothing moment was interrupted by the phrases of trumpeter, unfortunately with many false notes. The 3rd movement is a short intermezzo without trumpet, which begins with the pianist solo, joined by the strings before continuing with the last movement, Allegro con brio where we could enjoy a really good connection between the soloist, conductor and the orchestra. The cadenza was played in a really perky way. So we got a real recital from the pianist, accompanied by a very precise orchestra thanks to its conductor. The performance of the Concerto got a lot of applause from the audience and the French pianist thanked the listeners with a very beautiful encore: the slow movement resembling a mazurka from the Sonatina by the Polish composer Milosz Magin.
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A concert review about Lucas performance in Bozar Brussels with Belgian National Orchestra. 
https://www.crescendo-magazine.be/chostakovitch-mis-a-lhonneur-a-bozar-par-le-belgian-national-orchestra/
English resume:
The Belgian National Orchestra, under the direction of Hugh Wolff, started the concert with the Shostakovich Concerto for piano, trumpet and strings. The soloist of the evening was the excellent Lucas Debargue, who has quickly become a star pianist since his 4th Prize at the Tchaikovsky Competition in 2015. He was accompanied by the strings of the BNO and the head of the trumpet section Léo Wouters. Un the second half orchestra performed Schostakovich Symphony No. 13 “Babi Yar” with the vocal ensemble “Octopus” and Mikhail Petrenko.
Before the concert, there was said some words about the situation in Ukraine. It was noted that Ukrainian and Russian musicians also play in the orchestra. A minute of silence was taken to pay tribute to the victims of this conflict.
[---]
In the first movement, the pianist played in a powerful and almost hypnotizing way and made the piano sound in the Salle Henry Le Boeuf. The second movement is a slow waltz. The beginning is quite neutral until there is the time for the pianist to step in. A calm and soothing moment was interrupted by the phrases of trumpeter, unfortunately with many false notes. The 3rd movement is a short intermezzo without trumpet, which begins with the pianist solo, joined by the strings before continuing with the last movement, Allegro con brio where we could enjoy a really good connection between the soloist, conductor and the orchestra. The cadenza was played in a really perky way. So we got a real recital from the pianist, accompanied by a very precise orchestra thanks to its conductor. The performance of the Concerto got a lot of applause from the audience and the French pianist thanked the listeners with a very beautiful encore: the slow movement resembling a mazurka from the Sonatina by the Polish composer Milosz Magin.

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👍👏👏👏👏👏👏👏

Le présentateur a bien dit que la fausse note du trompettiste était écrite par le compositeur !?! Sublime concert !

Умница наш!!!!!

Thank you for the review. Lucas Debargue’s concerts are so beautiful with all orchestras he is playing. Thank you.

So Successful Concert....❤ Congratulations!!!!!!!

Please, say your position about attacked Russian!

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